Archive of ‘Planning Embroidery’ category

Do You Need Embroidery Software?

Recently, somewhere searched my blog for an answer to this question, “Why do I need embroidery software?”

I been giving that some serious thought and it took me back to my early days in machine embroidery. Back then (geesh, that’s sounds ancient!), embroidery software was not available to the consumer. Digitizing was a mysterious process to all consumers and frankly, we didn’t give it much thought. The embroidery design companies offered dozens of embroidery cards that seemed to suit most of our needs. As we became more passionate and brave with our stitching, reality set in. We experimented with different projects and realized we needed to tweak the designs that we had purchased. And not just mirror image and copy, oh no, we wanted to change the size (drastically), add or delete underlay, morph the shapes, remove colors, merge elements from one design into another. We needed editing abilities that our machines didn’t offer. We needed software. Maybe we didn’t need to digitize but we most certainly needed to manipulate designs.

Today, those needs remain the same. Ninety percent of embroiderers who own digitizing software do not digitize. They are not artists, they are embroiderers. They don’t want to create or find the perfect artwork and figure out how to transform it into beautiful embroidery. They want to buy designs and make them work on the project they are stitching today. They want to open the design in software and inspect it. They want to review the color sequence, watch the design in slow redraw so they know what to expect before they stitch. They want to look at the underlay and see if there’s enough coverage for a terrycloth towel or too much for a sheer scarf. Then they make adjustments to make the design their own – perfect for the project they are stitching next.

If you’re wondering if you need embroidery software, give some thought to your level of frustration when trying to plan an embroidery project.

If you find yourself saying, “I wish I could…”, know that you can with embroidery software!

Multi-Needle Monday: Speed Techniques for Handbags 2 Designer Knockoffs

If you plan properly, you can stitch four grommets and four corners in three hoopings instead of eight or six.  Here’s how to do it. Hoop tear-away stabilizer in a large hoop, 8” x 12”. Select the grommet design and move it to the edge of the hoop.  Stitch the first color, the placement guide.  Place one interfaced outer bag panel on the placement guide, matching centers. Stitch the grommets. 1 Fold the edge of the bag back over itself and tape it down. 2 Rotate the design 180 degrees and move the design down to opposite edge of the hoop.  Stitch the first color, the placement guide (shown here in pink thread). It will overlap with the first placement guide but as long as the tape holds, the first bag panel is safe. 3 Place the second interfaced outer bag panel on the new placement guide. 4 Stitch the grommets. All four grommets are stitched in one hooping! 5 Let’s move onto the corners. Follow the instructions in Designer Knockoffs to pre-cut the applique corners.  Hoop tear-away stabilizer in a large hoop, 8” x 12”. Retrieve the corner design.  Copy and paste it. Mirror image of one the designs and position them as shown. FacingIm Stitch color 1, the placement guide for the left corner (which is actually on the right in the hoop). Place left corner of the bag on the outline and stitch color 2, the applique placement guide. Place the prepared applique over the outline and stitch the next color, the satin outline. Stitch the decorative detail if desired. Stitch color 1 of the second design. 6 Place the right corner of the other bag panel on the outline. 7 Stitch the applique placement guide. Place the prepared applique over the outline and complete the design. 8 Check out all the different handbags you can make with Handbags 2 Designer Knockoffs by Eileen Roche and Nancy Zieman. Here is my finished bag!

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A New Bag

Nothing puts a little kick in your step quite like a new handbag – especially when you make it yourself. Once or twice a year, I like to dip into my fabric stash and see what I can use to create a new bag. I gather some materials I’ve been hoarding, I mean saving, and see if they would work together. Handbag Supplies - Eileen Roche

I knew I wanted to make another grommet bag from Handbags 2 Designer Knockoffs. I really like the grommets but I also like ready-made straps. It seems the best ones, (right length, width and material -microfiber) come with a ring attached at the end. Grommets for handbag

The ring doesn’t work with the grommets but I wasn’t going to let the closed ring stop me, I have a seam ripper! So I released the stitches from each end and unbraided the strap. It left me with two slits on each end. Hmmm…I placed them on my cutting table for a few days in the hope a good idea would pop into my head.

Modified purse strap

Once my materials are gathered, I take my time and work on the bag over several days (ok, maybe weeks!). This gives me time to think the process through, make some subtle design changes, overcome any challenges and enjoy the whole process.

I start by measuring the bag I’m currently favoring and decide if I want to duplicate that size or make adjustments. I’ve learned through the years, the larger my bag, the more stuff I pack in there. So reducing the space is a good idea for me, less clutter, less bulk, less weight. I decided my new bag would be a bit shorter than my current favorite. Then I cut and interface my outer fabric.

Next, I prepare my four corner appliques by hooping just the faux suede and stitching the Corner App design from Handbags 2 Designer Knockoffs. Then I stash my pre-cut applique pieces in a plastic baggie to keep them safe. While I was stitching the appliques, I turned my attention to the straps.

I was concerned about trimming the straps above the slits as this would make the straps too short. So, I decided to just stitch them closed.

Stitching straps closed

It looked so pretty that I stitched from end to end to make it a decorative detail. I used the triple zigzag stitch on my BERNINA 830. It’s normally a functional stitch but looks great on this strap!

Triple zigzag stitch

On Monday, I’ll show you some speed techniques for embroidering the corners and grommets.

Here’s your assignment this week: Leave a comment below about what size bag you prefer. Small, medium, large or jumbo-jet size? One comment will be chosen to receive a copy of Handbags 2 Designer Knockoffs by Eileen Roche and Nancy Zieman.Handbags 2 - Designer Knockoffs
The winner of last week’s assignment :Sewing Spoolie invites you to win a Slimline box of fabulous thread along with the pre-digitized designs to make all seven of the Spoolies in Sulky’s Collection #1. These popular sewing-themed designs, from the imagination of Joyce Drexler, are as fun as they are creative. And if you’ve ever tried to keep your stabilizers organized, you’re going to love Sue Hausmann’s bonus project included with the package. The whole package is a retail value of nearly $150 including 22 – 250 yd. spools of Sulky 40 wt. Rayon Thread, a 475 yd. spool of Bobbin Thread, and a CD with the seven Spoolie designs and bonus project. If you win, it’s all yours from Sulky. Now, go Express Yourself! Leave a comment below on where you would embroider a Spoolie to be entered!blog adAnd the winner is… Karen P – “Oh my gosh!! These are so cute!!! I would stitch them onto a bunch of tote bags that I have that I use for various different things, one is my Quilt Guild bag, one is my Crochet project bag, another has hand embroidery squares that I bring with me while waiting at various appointments, and so on. Plus, how could I resist putting a few of them on a sweatshirt or two!!! Ohhh I hope I won this one!!”

 

 

My Go-To Gift

NapS1-1

If you think you don’t have time to stitch a last minute gift, think again! Let me show you how to stitch six napkins in no time.

Mark the location of the corner monogram on each of the six napkins. I use the Napkin On-Point template from the Perfect Placement Kit – no math, no measuring. Just place the template on the napkin aligning the guides with the stitched hem and then insert a target sticker into the hole with the arrow pointing towards the body of the napkin. Repeat for all six napkins – you’ll finish this task in under two minutes. Naps2-1

Select the largest hoop available and hoop tear-away stabilizer. Since I was limited to a 5” x 7” hoop for this project, I selected a small design so I could fit three napkins in one hooping. Use one of three options for holding the napkin on the stabilizer: spray the hooped stabilizer with temporary adhesive, hoop adhesive tear-away stabilizer or use painter’s tape.

To get the most of a 5” x 7” sewing field for this technique, consider placing the first design (napkin) at the far left back of the hoop, the second design in the middle on the right and the third design at the bottom of the hoop on the left. You could audition the positions in software or on the editing screen of your machine. Here’s an example. Naps7-1

Position the first napkin at the back of the hoop. Center the needle over the target sticker, remove the sticker and embroider the design. If your machine has a baste feature, use it! Naps3-1

Lift the corner of the napkin back over the body of the napkin and tape it out of harm’s way. Naps4-1

Position the second napkin below the first napkin, making sure the first napkin is not caught under the second napkin. Smooth in place. Naps5-1

Position the needle over the target sticker. If your machine has a trace feature, use it to verify the needle will not stitch on the first napkin. Once you’re confident the first napkin is out of the sewing field, remove the sticker and embroider the design. Naps6-1

Lift the corner, tape it down to keep it out of the sewing field. Naps8-1

Position the third napkin and repeat the process. Naps9-1

Bam -three napkins done in no time! Now repeat for a second hooping of three more napkins and your set of six is complete.

Here’s your assignment this week:

What is your favorite go-to gift? One comment will be chosen to receive a $25 gift certificate to spend on the DIME website. Thanks for reading and good luck!

Gift-Card

The winner of last week’s assignment is:

Tell us what your favorite children’s theme is for the Summertime goodies you are crafting. FOUR lucky comments will be chosen to receive $25 to spend at the Applique for Kids website. Thanks and good luck!

May Blog Banner

And the winners are..Donna N. Clarice, Barb & Berenice

7 Steps to Improve Your Embroidery

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1. Print a template(s) of your embroidery design so you can plan the embroidery layout. Place it on the item (garment, home décor, craft or quilt) and critique its placement and size.

1-IMG_38322. Build a test stash. Keep a test polo shirt, stretchy t-shirt, terrycloth towel and common items that you embroider on all the time in your test stash. Use this resource when testing a design for a final project. Fill every available inch with test designs then toss it when there’s no more room for additional tests.If you’re stitching on plain fabric, always buy more than you’ll need so you have material to use for a test stitch-out. So many problems can be avoided by stitching a test of the design with the fabric, stabilizer and thread combo that you’ll be using for the final project.

3. Press the fabric – use starch and steam to get the fabric to behave. Press the stabilizer if it’s wrinkled so it will lay flat behind the fabric.

4. Hoop on a flat, sturdy surface, not your lap. Ironing boards work in a pinch but best results are achieved when hooping on a solid surface, such as a cutting table and mat. Use the lines on the mat to square the fabric in the hoop.

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5. Select the right hoop for the job. The best hold is achieved with the smallest hoop for the design. For instance, a 4” x 4” hoop is the best choice for a 2 ½” x 3” design.

Eileen's Machine Embroidery Blog

6. Insert a fresh needle when starting a new embroidery project.

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 7. Learn how to use simple embroidery editing software. You probably don’t need a full-blown digitizing system but a simple sizing and editing program can do 75% of daily embroidery tasks. Rotating, merging, mirror imaging and sizing designs are the top four chores I do to almost every design I stitch.

Eileen's Machine Embroidery Blog

 

Here’s your assignment this week:

We so enjoy sharing our love for embroidery with you! What things have you done to get your children, grandchildren and/or friends interested in embroidery projects. It’s always fun to stitch with a friend or family member. One comment will be chosen to win a $25 gift certificate to use online at the Designs in Machine Embroidery website. Thanks and good luck!

DIME Gift Certificate

If you had 15 minutes to spare on organizing your sewing room, what area would you tackle first?  Post your comment and one lucky winner will be randomly selected to win a copy of Embroidery Studio Organization in 6 Easy Steps.

Embroidery Studio Organization in 6 Easy Steps

The winner is… Rena  “Last year I decided that everything in my sewing room should have a place with:

• a bungee cord to attach the ironing board to two wall hooks

• lots of small plastic boxes in drawers for little things

• labelled clear plastic shoe boxes for quilting fabrics (colour sorted)

• a cast off wine rack for stabilizers

• a narrow wall cupboard (built by hubby!) with space for embroidery and sewing threads with a white magnetic covers on the door for notes and pattern sheets

• hot pink accessories to make me happy including a broom and dust pan

plastic drawers for more odds and end”

An Early Christmas Present

Last week, I gave myself an early Christmas present – the gift of time to focus on one of Designs’ valued partners. I have to admit, it had been way too long since I had the opportunity to spend such quality time with my friends at BERNINA. They invited me – along with some other very lucky embroiderers, quilters and sewists – to learn new techniques from the BERNINA sewing wizards at their new BERNINA Creative Center.

Upon arrival, we were asked to give a 2-minute speech on who we were, where we lived and what we were currently working on. I have to tell you, it’s a humbling experience. The talent in the room is breathtaking. Just to name a few (and I’m leaving out many) – Charlotte War Anderson, Georgia Bonesteel, Kaye England, Mary Mashuta, Melody Crust, Pat Bravo and Robbie Joy Eklow. As one attendee said, “It’s like visiting with your bookshelf.”  I couldn’t agree more.

I was delighted to spend time with Lisa Archer, Pickle Pie Designs – my shuttle bus seatmate; and Angie Steveson of Lunch Box Quilts –my stitching compadre.

Lisa-1Angie-1 

Every single artist/teacher was gracious and warm, all of us excited to be there.  The next morning, we couldn’t wait to get started. A heart-touching presentation from Ricky Tims set the tone for the two-day hands-on seminar.  Tims-1

After we broke into smaller groups and marched to our classrooms, I thought of a conversation I had with my daughter before departing for the event. She asked if I had any concerns about the event. I responded, “Yes, I’m worried I won’t be able to behave like a good student!”

I needn’t have worried. BERNINA kept us entertained and busy. It was fascinating to quilt with BERNINA’s 820 under the tutelage of Debra Rutledge in the QuiltMotion class. Amazing how the movement of the 820 was controlled by a tablet! So easy to design right at the quilt and then watch it stitch. We worked on a huge canvas and stitched all morning.  After a relaxing lunch, we headed to the next classroom to work on the new 780.

Jeannine Cook-Delpit led us on a fun in-the-hoop eyeglass case. An excellent teacher, Jeannine gave us an overview of the 780 and steered us around its editing screen.  We selected a design, added custom stitches and a monogram.  Then we switched out the needle with the cutwork tool and voila! Our peeper case was cut to precision.  It didn’t quite seem complete until we added the custom crystals. Ingenious!  Jeannine thought through every detail of the design so that all students finished without a hiccup.

Peeper-1Peeper2-1I had fun playing with the cutwork tool.  If you know anything about today’s cutwork, you know that the cutting is done by a blade inserted into the fabric at four different angles. Cutwork systems have four different needles requiring the user to insert the correct blade at the proper color sequence. BERNINA’s is quite different as it has one blade that rotates when needed. You stitch color 1 with the blade at position 1 and then spin the dial to rotate the blade for color 2 and so on. In future posts, I’ll be telling you more about the cutting tool and some other goodies I brought home with me.   After all, it is Christmas!  Cutwork-1

Stop back next week and I’ll fill you in on the second half of the seminar.  In the meantime, take a look at our assignment and special prizes for next week.

 

Here’s your assignment this week:

Leave a comment below about what sewing tool you hope Santa puts under your tree. Six comments will be chosen to receive a one month membership to the Silver Threads Golden Needle Club courtesy of OregonPatchWorks. Good luck!

The winner of last week’s assignment:

So how is your holiday stitching coming along? Are you stressed? Are you going to make your deadlines? Let us know how it’s going and we’ll pick a random winner to receive a fold flat stocking, perfect for personalization.

And the lucky winner is Elisa T.

Keep It Simple Snowman

HeaderMy Stitching Sister, Marie Zinno, is so busy right now. Every time we talk (and that’s every morning), she’s got all three of her machines cranking out holiday orders.  Marie is a commercial embroiderer based in Canton, OH and one very pleasant person. She never grumbles even in the midst of holiday stitching chaos. And if you’ve ever dabbled in machine embroidery for business, then you know what holiday chaos is like. It all starts out innocent enough; you get just the right amount of orders to keep your machines humming about 6-8 hours a day.  Your delivery dates are manageable (because you finally got a handle on estimating how much time to allot for each order); your prices are set and your inventory landed when promised. It’s all up to you now to get the jobs completed as promised.

But Marie is the first to admit things don’t always go as planned. Oh she definitely has survived holiday emergencies in previous years of power outages, machines malfunctioning and family illnesses and she handled each with panache. But this year, it’s been a bit different. It seems when a customer arrives to pick up an order they see some of the items that she’s been making for other customers and promptly order four or six or 24!

So what’s so hot in Canton this year? Snowman towels, onesies and t-shirts. When Marie’s customers spot them on display they promptly order a set of towels for their own home. And then they remember their niece who had a new baby this spring and order a onesie for that angel. Then they remember the baby has an older sister or brother, and well you get the picture.  She charges between $15 and $20 for each item and because she has an inventory of blank items, it’s just a matter of hooping and stitching.

Snowmen-Onesies

As embroiderers we tend to overcomplicate things – take personalization to whole new levels. But really, many people are just as touched with a simple holiday design. Something that’s unique, something you don’t find in the local store.  So if you’re scrambling to finish your holiday stitching, maybe you should simplify. And think snowman!

Snowman-Towel

The snowman design is from Embroidery Garden.

 

Here’s your assignment this week:

So how is your holiday stitching coming along? Are you stressed? Are you going to make your deadlines?  Let us know how it’s going and we’ll pick a random winner to receive a fold flat stocking, perfect for personalization.

The winner of last week’s assignment:

Tell me which of the bags above is your favorite; the red diamond, teal scallop pocket purse, green starburst or the small clutch. Two lucky winners will get an autographed copy of Designer Knockoffs, Handbags 2! Good luck.

And the lucky winners are: Desiree K. and Patty S. Congratulations!

What’s with Lower Case Monograms?

You see it everywhere today – lower case monograms catch your eye and make you wonder if it really is a monogram. I think its popularity stems from texting. Many young people will tell you uppercase letters are a waste of time. What’s the point of engaging two fingers to type a letter when the same letter can be easily produced with one finger?

But upper case sends a message in monograms. When placed with lower case letters, the upper case letter is dominate and depicts the first initial of a surname. When lower case letters are in a string, they spell something, intentional or not. It’s acceptable and actually quite fun to mix upper and lower case. The mix can add balance and interest to a standard monogram.

Let’s take a look at a couple of monograms I created for my 22 year-old son. First I experimented with a traditional 3-letter monogram in caps.

 

 

I played with the positioning of the flanked letters.

 

 

Then I changed the first and middle initials to lower case.

 

 

And again changed the positioning.

 

 

After reviewing these options, I wasn’t quite sold so I changed to all lower case.

Mod3

 

 

I like that one the least. Probably because his first name is a vowel, like mine, and whenever I see a monogram with a vowel as the first letter, I make up a word. My childhood monogram was EW followed by ER. Ugh, I never liked either one. But maybe that doesn’t bother you.

Anyway, back to my son’s monogram. I settled on a stacked monogram: first initial stacked over the middle initial and standing guard next to the upper case R with a polka dot in the center. He likes it (which, let me tell you, is huge!)

Monogram font is Newsprint found in
Machine Embroidered Monograms for the Home

I hope you enjoy the projects and tips and tidbits found on my blog. I like sharing my love for embroidery with you all and as many of you know I also teach classes on the Craftsy website. So, if you like my blog and nominate me for best embroidery blog by clicking on the Craftsy badge to the right or by clicking here you will be entered to win a FREE class over at Craftsy! Thanks for your vote and good luck in the contest.

 

Here’s your assignment this week:

Lettering

Letters are your friend! They can turn almost anything from drab to personalized and fab. Comment below about something you’ve been wanting to monogram and one winner will be chosen to receive their very own copy of Machine Embroidered Monograms for the Home! Good luck.

Machine Embroidered Monograms for the Home

The winner of last week’s assignment is:

Look around your sewing room and tell us what your most unorganized area is. Don’t be shy! One lucky comment will be chosen to win the latest Stipple! Sassy Cats by Katherine Artines.

Stipple Sassy Cats

And the winner is…“That is really easy, it is me. I have so many things that I want to make and I have a difficult time getting organized long enough to get very much accomplished.” – Marcia Congratulations and thank you to everyone for sharing!

Need an embroidery miracle? Then you need friends in high places!

Where do you turn when you need a solution to an embroidery dilemma? It started innocently enough with “Honey, can you embroider my name and phone number on this strap?” I naively responded, “Oh sure, I’ll bet it’ll be an easy thing to do.” Then he hands over the ‘harmless’ strap. From afar, it looked like camo canvas maybe camo neoprene. But once in my hand, my knees began to tremble when I gripped the…RUBBER backing! Ahhhhhhhhhhhh!

Rubber? Really? Are you kidding me? Dang, I wish I hadn’t shared that joke about the lady who informed her husband that no, she won’t stitch a logo on his golf shirt because her machine can’t do menswear. I still chuckle at that line. But my sweet husband knows the truth behind that – it’s a joke he’s heard me tell in Stitching Sister events. He knows all of my machines ‘can do menswear.’

So off I trotted to the office with the noose, I mean strap, over my shoulder. I figured I’d start my research there – pour through all our technical journals, embroidery books and commercial magazines to look for a solution. My search led to nothing, not a clue on how to hoop or stabilize rubber-backed neoprene. So I did what I normally do when approached with a stumbling block. I climb around it. Avoid it. Make a path around it – like the elephant in the room. And mull it over for a few days. But not this time because in walked the most knowledgeable person in the embroidery industry. Deborah Jones.

She was here on official business – really big important stuff like what would we have for lunch. At the end of our visit, I remembered the noose – strap (gee, I keep staying that!) and asked for her advice. Without a trace of confusion or a moment of hesitation, she said, “Oh hoop it with wax paper. You’ll need something to lubricate the needle and thread as it exits the rubber.”

I looked at her like she handed me the Hope diamond. She looked at me like she sometimes does, “Oh you silly Yankee.” (Doesn’t matter how long you live in Texas, you’re always a Yankee if you imported yourself.) Then she left. I was perplexed, okay scared, so I worried for a few more days. And then I bought wax paper. I haven’t purchased wax paper in years and didn’t spot it the new fancy grocery near the office. I asked a salesperson where I would find it and she wasn’t quite sure what it was! After a minute she muttered something about packed lunches at grandma’s house when she was a little girl and then sent me to aisle 23. Anyway, I bought it.

The noose, I mean strap, is thick so holding it in a hoop was not an option. Sticking it down on hooped wax paper in a standard hoop would likely result in the noose, strap, popping off the wax paper. So I hooped tear-away stabilizer and two layers of wax paper (Why two? I don’t know, I bought a whole roll, so I figured I’d get my money’s worth) in Snap Hoop on a 10-needle machine. Snap Hoop is flat and will help keep the strap on the wax paper. I sprayed the back of the strap with temporary adhesive and pressed it onto the wax paper. Then taped it for extra security.

As you remember Deborah told me to ‘use wax paper.’ She didn’t tell me anything about hooping, adding stabilizer or adhesive. I was on my own there, I just tried to apply common sense (something most Yankees are not known for in Texas) and tame the challenge and well, git her done as they say here.

It worked! An embroidery miracle, thanks to Deborah Jones.

Here’s your assignment this week:

Sometimes you just have to pamper yourself. All for Me – Delightfully Feminine Projects Made in the Hoop by Shelly Smola has 6 beautiful projects just for you! Inside you’ll find:

  • Tea Party Luggage Tags
  • Glamour Girl Makeup Case
  • Petite Purse
  • Vintage Apron
  • Time for Tea Pillow
  • Time for Tea Quilt

Leave us a comment below about the last thing you made for you and only you. One random comment will be selected to win their very own copy of All for Me – Delightfully Feminine Projects Made in the Hoop by Shelly Smola! Thanks for reading and good luck.

The winner of last week’s assignment is:

The designers at the Sulky Embroidery Club want you to win a FREE Gold Membership. Just leave a comment below about why you’d like a membership in the Sulky Embroidery Club. To find out more about the Club and this $150 retail value, just click the ad. If you win, we’ll create an account for you, already loaded with 500 points, so you can begin shopping immediately. There are hundreds of extraordinarily high-quality designs and projects to choose from, including fill, appliqué, outline, and 3-dimensional. New designs are added each month, so good luck!

And the winner is… Shelly – “I checked out the site and was excited to see the projects and designs that are there! I would love to win and be a part of all the things offered there. I love to learn from the experienced people and find so much joy and purpose in creating things for my family and friends. My embroidery work is my best friend now at this time in my life and I love to share it with all I know.”

Upscale Bed Linens

Eileen's Machine Embroidery Blog

I love embroidered bed linens. They are such a treat to slide between as you end a long day. Here are some tips for stitching gorgeous machine embroidery designs on sheets.

Tips for Success

• Take the time to prepare the design and the sheets. It’s well worth the effort.

• Purchase an extra pillowcase to test the design before stitching on the sheets.

• Open the band before embroidering to hide the wrong side of the embroidery.

• My stabilizer of choice for sheets is fusible polymesh cut-away stabilizer with a layer of tear-away floating under the hoop. Fine linens are a tight weave and benefit from a strong foundation for the embroidery.

• Insert a new, sharp needle.

• Consider adding a single-letter monogram to the center of the band. Then stitch from the center to the edge on each side.

• Allow some space at each end of the border for some breathing room (aka – room for error).

Here’s a case for prewashing the sheets. Normally, I don’t prewash blanks but sheets really benefit from this prep step. It eliminates the unwanted puckers that often appear after laundering embroidered linens.

Measure the band – from folded edge to stitch line and from selvedge to selvedge. If the band measures 4” (a common size), select a design that is 3” in height so that there will be ½” open space on each side of the design. Once you select a machine embroidery design that is 3” tall, make a note of its length. My design is 3” x 5” and my queen top sheet measures 90” from selvedge to selvedge. I’ll divide 90” by 5”. I’ll need 18 repeats to fill the band.

Hmm…90” is perfectly divided by 5 into 18 repeats. Frankly, that scares me because I’ll have to be absolutely perfect on placement for each of the 18 designs. So I’ll take a little artistic license here and set myself up for success by planning on stitching only 17 repeats. Not only will this relieve some stress, it will probably look more pleasing because the center of a design will be dead center on the band and not the join of two designs. Definitely more desirable in my opinion.

Not that I know how many repeats I’ll need, I will take a seam ripper to the band and release the hem. I know, reverse sewing but it’s so worth it. Next, it’s time to carefully press the band but I will leave the crease of the fold in place because it’s a built-in guideline for squaring the band (sheet) in the hoop.

Cut the fusible polymesh stabilizer into 4” strips and press it to the wrong side of the band.

Fold the sheet in half, selvedge to selvedge to find the center and place a target sticker to mark the center.

Print two templates of the design. Place one template on the target sticker. Make sure the template’s crosshair is aligned with the target sticker’s crosshair. Use a ruler to verify the design is flanked by ½” on each side (from fold crease to hemline).

Select a hoop that will accommodate the design – one or two repeats. Hoop the band with tear-away stabilizer. Center the needle over the target sticker and embroider the design. Place the template on the band, connecting the image to the stitched design. Move the needle to the template’s crosshair. Remove the template and embroider the design.

When it’s time to rehoop, use the template and folded crease to square the sheet in the hoop and continue to fill the band with embroidery.

 

Here’s your assignment this week:

Can you find the hidden hearts in this image? Tell us how many hidden hearts you see and one lucky winner will be chosen randomly to receive $25 off at the DIME website. Happy heart hunting!

The winner of last week’s assignment is:

Take a look around at the new website and let us know what you think. Leave your comments below and one random comment will be selected to receive a $25 gift certficate to spend on the new DIME website!

And the winner is…Carolyn H. “Very nice! It looks quite modern.”

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